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My apologies to Mike for publishing this podcast a couple of days late. On Monday, the original publishing date, I was in the midst of launching my new business: StreamingNM
If you’re interested in being interviewed for this series, please click on the Podcast Form link in the menu at the top of the page, fill out the form, and send it to me. I’ll contact you via email shortly thereafter.
Because as of this morning, there are only 35 of the 100 numbered prints remaining.
As I used to say to my kids, you have two options.
Option #1, useful if you don’t live near Santa Fe, New Mexico. Those interested must email Bridger DeVille at Benchmark Maps only as the time/date stamp determines their place in line. He will call you directly. You can contact him by visiting the Benchmark Webpage dedicated to the map by clicking here. Bridger said that they had about 15 maps remaining, and provided this screen-captured map indicated from whence the already processed orders have come.
They’re $100 including processing, packaging and shipping along with the certificate of authenticity.
Option #2 is to walk in to Collected Works Bookstore and Coffeeshop in Santa Fe. You can buy them over the counter. If purchased in this manner, the certificates of authenticity are available from Bridger if requested by email. I spoke with Joel, one of the CW staffers this morning, and he said they had about 20 remaining.
My recommendation? Act now!
And, as always, good luck with your search.
Please Note the Time Change
from 10am to 2pm!
Day/Date: Tuesday, January 7, 2014
Time: 2:00pm to 2:30pm MST
livestream Link: Click here
Your Host: Forrest Fenn
Special Guest: Ms. Ali McGraw
Live Streaming by: Toby Younis
It is highly recommended that you register with the streaming services provider, livestream.com prior to the event. It’s required in order to view the event, and, it’s free. They’ll send you an email with a confirmation link. Once you’ve logged in, find the search window in the middle of the screen, and type “ttotc.” You’ll be presented with a poster of the event. Click on the poster to go to the event. You won’t actually see anything until the moment we start transmitting. (In our test, there was a 17 second delay between the location and the viewer).
If you happen to miss the live broadcast, don’t worry. We’ll be uploading the event recording to the A Gypsy’s Kiss Channel on YouTube on the same day the event takes place, and posting the link on various blogs, forums and facebook pages.
Please feel free to share this information with your friends and family.
For more information on this raffle, to learn more about Renelle Jacobson, or to buy tickets, click here.
7 Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared.
8 And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also.
9 When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was.
10 When they saw the star, they rejoiced with exceeding great joy.
Matthew, Ch 2, Vs 7-10,
The New Testament
King James Version of the Bible
I had a dream.
I dreamed I was standing at the edge of a canyon, hydraulically routed down the geology of someplace in the mountains North of Santa Fe. I was on the Western side of the canyon, facing East, the river below flowing North to South. The sun was low, but not near setting in the sky, casting my shadow across the canyon so that it fell upon the far wall. As the sun set and my shadow rose my ephemeral head eventually pointed to a large star shape in the rock on the East wall of the canyon. It was large enough to be seen without aid, and difficult to discern whether it was natural or not.
Anchoring myself with a rope, and a pair of carabiner clipped to a safety belt, I walked to the edge of the canyon and leaned over. I looked quickly down, and could see the faint, cool outline of a trail switching back and forth from the canyon floor to the canyon rim North of my position. About three quarters up the side of the canyon wall one of the ledges on its side stood out from the others. In a depression on the ledge laid a brown box. The ledge was high enough above the trail that the box could not be seen by anyone walking upon the trail as it continued North from that point.
By that time the sun had set, and dusk had fallen upon the location. I wondered, for just a moment, whether or not the treasure would tolerate one more night alone, cold, undiscovered and uncared for.
I stood back from the canyon edge, untangled myself from the safety belt and anchor rope, hoisted my pack upon my back, and headed for my campsite. I found a grassy spot near my tent, and using my backpack for a pillow, I laid down to admire the stars in the unpolluted sky overhead. The moon not having risen, the Constellations shown almost in neon. I called their names out to them. They did not call out my name to me.
Protected by Orion’s sword, I fell asleep outside my tent and sleeping bag.
And, I had a dream.
Fenn writes like he thinks.
And, he thinks in compact, self-contained packages (CSCPs*), the current one connected to the previous one as much as it is to the following one. Then, as he moves through his line of thought, he builds cross connections. Eventually, each CSCP is virtually connected to all the other CSCPs. As they age, some of them float out to the edge of his cranial universe, far away enough from the center of mental gravity that they escape, never to return. Some hang on near the edge and are modified by it. They become memory anomalies, or as he calls them, “aberrations.”
Sooner or later, when he needs them, he pulls some of the related CSCPs together to form a new, complete thought.
Then, he writes.
The Swiss psychologist, Carl Jung gave the process a name. He called it synchronicity.
Synchronicity is what leaves Fenn’s audiences with a sense of a mind that’s in constant motion. Eclectic, yet organized. Artistic, yet logical. Organic, yet mechanical. Cunning, yet caring. Twisted, yet aligned.
To me, the synchronous manner in which he thinks, then writes, is what leads to what I refer to as “The Fenn Segue.”
(Segue: pronounced seg-way. Definition: to make a transition without interruption from one activity, topic, scene, or part to another.)
I noticed it the first time in my reading of the chapter entitled “First Grade,” subtitled “Lanier School,” beginning on pg 16 of “The Thrill of the Chase.”
It begins, “My father was a teacher at Lanier School…” There’s a photo of his father captioned, “Mr. Fenn, Principal” on the opposite page.
One could assume that this chapter was going to be about his father. And, for the most part, it is.
It is, except for the SEGUE about John Charles whatever, who would sometimes “…bring a little jar of green olives to school and wave that thing…” in Fenn’s face. Description of the jar of olives follows. The first time I read the chapter, I was so distracted by the olive jar segue, that I had trouble concentrating while reading the rest of the chapter. Instead of following my eyes reading, my mind was asking itself the same question Fenn asked the readers, “What was that all about anyway?”
Why would you segue out of a perfectly good story, to tell a completely unrelated one?
Synchronicity. It was not unrelated. It was connected. The olive jar, a CSCP that had traversed some distance out into the universe in his mind, was snapped back into his current CSCP of thought. Lanier School? Probably.
(As I am writing this, I recalled a CSCP of A****** Garcia, the overweight, abused bully two grades ahead of me at St. Anne’s Elementary School in Santa Fe, who would seek me out on the playground and beat the crap out of me. On one of my leaves from the service, I was informed he had killed himself in a car accident on I-25 between Santa Fe and Albuquerque. He was drunk. He killed his girlfriend in the process, and left his wife and daughters with almost nothing, except unpleasant memories.)
By the way, the previous paragraph was a classic example of a segue.
I’ll bet some of you had the olive jar kid in your lives too. I’ll bet just reading this elicits the memory of your olive jar kid. Don’t have that kind of memory? Then you were probably the olive jar kid.
That, of course, is not the only Fenn segue in the book. The “horseshoe” segue in “Dancing With the Millennium” on pg 135 is a good example. There are several others. Even the “Treasure” chapter beginning on pg 127 entitled “Gold and More,” subtitled “Somewhere North of Santa Fe,” contains a couple, including the dream about Captain Kidd and Gardiner’s Island. He also, in the same chapter, writes that he placed his 20,000 word autobiography in a glass jar, sealed with wax, into the treasure chest.
I felt like there was something important about the Fenn segues. Upon completing my first reading of the book, I returned to its beginning and made notes of each of the Fenn segues. I especially noted the mention of the olive jar at the beginning of the book and his mention of the jar containing his autobiography near the end.
Focused on finding the treasure, I didn’t think much about it. In the grand scheme of value…well – his autobiography wasn’t an egg-sized gold nugget. Was it?
I didn’t think much about the jar until one day I heard him talking about his autobiography in the jar.
A jar he sealed with wax.
And, a jar he put in the treasure chest before he hid it.
An olive jar.
Yes. He said it was an olive jar.
They key, I believe, to understanding the Fenn Segue is in the olive jar.
* You won’t find Compact Self Contained Packages (CSCPs) in the literature. I made up the phrase to describe how I think Fenn thinks.